Equilibrio-Riflesso Synesis -Scrivania del Movimento Trasversale - Franco Fossi
Support: Silkscreened Canvas
Technique: Mixed technique
Edition: Unique piece
Height: 110 cm
Base: 140 cm
In Fossi, the Theory of Everything is closely linked to the idea of the Absolute, as the two inseparable parts of a single great artistic project, whose planning can not only be experiential and experimental, but must be programmed and visually rationalized. “The desks of the Angel” are born from the artist’s tension to put in writing the codes and messages coming from that cosmic and multidimensional dimension in which the Visual DNA has cloned, intensified, revealed and communicated its message. The canvases take the form of deliberately unfinished parchments in which information windows of a virtual and “celestial” world open. The artist processes the information received in a combination of minimum units of information, which are integrated in a form with geometric meshes whose meaning is already contained in itself and only needs to be deciphered in turn. Fossi has made his own journey of analysis and discovery; he has given new life to the primordial sign, defining it as another equal and different one, copy and witness of the initial archetype, yet unique and unprecedented in its kind. Figuration has concluded its metamorphosis, transforming itself into an abstract but visually strong virtuality with a great aesthetic impact; the minimum units of visual information have escaped from real figuration to convey the signal coming from the Elsewhere: from the concept of the work of art of the binary code in which the primordial sign is expressed “The desks of the Angel” they qualify as notebooks in which to entrust the sensation of an even greater architectural project.
Shipping and Delivery
SHIPPING METHOD, RETURN AND REFUND
We only ship with insured express courier. VAT and transport are not included in the price list. The insurance is included in the shipping costs and covers the entire value of the work. You are 100% guaranteed from theft or damage that may occurre during shipping. Before accepting the package, make sure it is intact and not wet. We recommend accepting with reserve.
Shipping costs and delivery time
Shipping costs are charged to the customer and are indicated separately on the order form and on the invoice, unless otherwise indicated. Orders shipped outside the European Union may be subject to import duties. Mirabili pays duties in advance for all orders shipped to the United States and Canada, so these customers are not subject to additional fees. Orders shipped outside the EU, the United States or Canada may be subject to import taxes. The purchased products will be delivered on working days by a selected courier (therefore excluding Saturdays, Sundays and local or national holidays) by the deadline indicated during check out.
What to do if the work arrives damaged
When the courier delivers the artwork to you, you must first make sure that the package is not broken or wet. However, we recommend accepting with reserve. If, once the package has been opened, the work should be damaged, you must contact us within 24 hours from the delivery date, sending us photos that clearly show the damage.
If the artwork is not as expected and intends to return it, it can do so within 10 days from the delivery date. By sending an email to email@example.com or by calling us on 0573 790066. The Return Authorization Form will be sent to you by email, without which your return will not be accepted and will be sent back. Then, he will have to carefully pack the work and send it to the address:
MIRABILI Art of living
Via Corticella 5/7/9
51039, Quarrata (PT), Italy
Shipping costs and risks are charged to the customer. After the return has arrived at our warehouse, it will be refunded within 10 days of receiving the artwork.
Born in 1955 in Empoli (Florence), Franco Fossi began as a young student at the State Institute of Art in Porta Romana in Florence to experiment with applications of graphic design as a construction method of composition. His research, continued after his artistic maturity and influenced by the studies of Industrial Design and his work experience as a graphic designer at the prestigious Leader agency, focused on Leonardo da Vinci's Mona Lisa as an icon of Art and brought him, in 1974, the first creation of the VISUAL DNA which represents the synthesis of an innovative investigation methodology of which he is the head.
From 1971 to today, the artist's fervent creativity has translated into a vast production of works divided into cycles corresponding to specific historical periods, following different influences received both from previous artistic cycles and from experiences of personal experience.
In fact, over the years, Fossi combines his artistic career with the varied professional experiences that range from graphic design to the television sector with national broadcasters, and which influence his methods and expressive tools. These are the years of the path called L'Origine beyond the visual, in particular with the Monnalisiano Celato and Visual DNA cycles in which the skillful mastery in mastering the artistic techniques with graphic applications shines through in every creation, giving his works a visual impact and a extremely singular expressive force.
In 1992, on the occasion of a collaboration with the art photographer Aurelio Amendola, he filmed Michelangelo's Medici Chapels in Florence and was inspired by the application of the VISUAL DNA research on Michelangelo's works such as David and Giuliano De Medici, obtaining confirmation the methodological intuition of research of the Code had during the continuous work in progress on the Mona Lisa.
The fervent artistic activity of Fossi knows new impulses also thanks to the meeting, in the early nineties, with two great artists of the caliber of Igor Mitoraj and Venturino Venturi who encourage him to continue expressing himself in sculpture, as well as in painting and application of mixed techniques. In fact, the peculiarity of Fossi is that he models, he does not sculpt, following his personal style of compositional combinations which is the hallmark of his artistic and working experience. And this is precisely the effect that arises from his Plastic Works conceived from 1993 to 2007 as well as all his creations born parallel and subsequently to the latter, affected by the influence of his working experience such as for example those of the cycles. Angelo, Multipli, The Monnalisian postcards / Strings -: typing test and The Uchu scores.
His works have become part of various qualified collections, from the Carlo Palli Archive in Prato to the Rossana Foundation and Carlo Pedretti (director of the Armand Hammer Center for Leonardo Studies of the University of California), to the Ideal Museum archive Leonardo da Vinci, to the Mirabili collection.
Rare his group shows and exhibitions, among which we mention: a group exhibition in 2004 at the Fornace Pasquinucci in Capraia Fiorentina with "The great masters of abstractionism" (sixth edition) in which he participates with a selection of works; to follow, the solo exhibition in 2006 entitled "Under the sign of the Mona Lisa" at the Ghelfi gallery in Piazza Erbe in Verona; the collective in 2008 on the occasion of the "Santa Giusta Art Week" in Castadas in Cagliari; subsequently, a solo exhibition within the "Jaconde. From Monna Lisa to Gioconda Nuda ”set up in 2009 at the Ideal Leonardo da Vinci Museum; in 2010 some of his works were exhibited at the SACI (Studio Art Center International) in Florence and, subsequently, the group exhibitions held on the occasion of exhibitions dedicated to Leonardo da Vinci at the Castle Museum and the city of Piombino, the Torrione-Museo in the city of Margherita di Savoia, the Granafei Nervegna Palace of Brindisi and the Aragonese Castle of Otranto, as well as abroad from Miami (USA) to Kahosiung and Taipei (Taiwan) and to Amboise (France).
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OF THE RIGHT OF WITHDRAWAL
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